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Robert Downey Jr

Robert Downey Jr.

Robert Downey Jr. portrayed Tony Stark/Iron Man in Iron Man, Iron Man 2, The Incredible Hulk, The Consultant, The Avengers, Iron Man 3, Avengers: Age of Ultron and Captain America: Civil War, Spider-Man: Homecoming and will reprise the role in Avengers: Infinity War and Avengers 4.

Significant roles

  • Ian in Weird Science (1985)
  • Derek Lutz in Back to School (1986)
  • Albert Einstein in That's Adequate (1989)
  • Charles Chaplin in Chaplin (1992)
  • Thomas Reilly in Heart and Souls (1993)
  • Wayne Gale in Natural Born Killers (1994)
  • John Royce in U.S. Marshals (1998)
  • Pete Graham in Gothika (2003)
  • James Barris in A Scanner Darkly (2006)
  • Kirk Lazarus in Tropic Thunder (2008)
  • Sherlock Holmes in Sherlock Holmes (2009)
  • Sherlock Holmes in Sherlock Holmes: A Game of Shadows (2011)

Quotes

  • "It's hard not to have a personality meltdown [...] after about several hours in that suit. I'm calling up every therapeutic moment I can think of to just get through the day."
  • "If you ask me, the next one is about what do you do with the rest of your life now that you're completely changed? And you are in touch, and you have created this thing that has the power to take life. Essentially, you have been made into a god. A human being, metaphorically, who's been made into a god is not going to turn out so well. And their conscience is going to come to bear".
  • "You know, I think that we have an opportunity with the third Iron Man to make the best of the three, and maybe one of the better superhero movies that’s ever been made. But I think we have to remember what made the first one good. It was very character-driven. It was very odd. It was kind of outrageous. And so I think we have to have the courage to trust that the audience is actually really kind of cool and smart."
  • "Tony Stark is open to all possibilities and has no problem accepting extraordinary happennings. Joining The Avengers team is an act of curiosity - he wants to see what's happening first-hand. He realized a while ago that he's not an island and this time around he is beginning to understand that it's about a group mindsent and that 'we' is better than 'I.' "
  • "Aside from casting, what Marvel does best is pick the right directors and it’s always an exciting announcement. Writing the script for The Avengers is much more precise because it’s a more complex piece of machinery, where you’re trying to interface eight characters and have them all make sense, all have arcs and get their day in the sun."
  • "When we were in the first of several iterations of the storyline, the only thing I was sure about was that Tony Stark needed backup. I said to Joss and Kevin, ‘We really need Pepper to be involved in some way.’ I felt like it’s been a while since we have seen Tony and Pepper and they have grown to be pretty close and it just makes sense that she would have some kind of influence over his decision to join The Avengers team."
  • "I radically want to challenge Stark's identity, rather than just have him battle another bad guy. These things tend to, in Act 3, really become about the same old things. So let's really flip that. I feel like I don't know where you go after Iron Man 3. Leave it all on the field, you know?"
  • "We're actually shooting another end scene for Avengers. I think every movie I do is going to be one of the three biggest films of all time, so it's finally happened."
  • "Don's and mine's deal runs out after Iron Man 3, then we're going to figure out what we want to continue. The future is uncertain, I'm super happy. This has just been an amazing journey."
  • "The idea this time is, what is the need for this third picture? How does it tie it together? There's been a wishlist of scenes we've wanted to see."
  • "We always liked it.. you like the idea of him struggling with this [alcoholism], but there isn't enough plot. I think he's got the plug in the jug this time."
  • "You can dissect why The Avengers was the right movie with the right people and the right director at the time. But we feel the same way about Iron Man 3 now."
  • "I adore him. I’ve been a fan of Shane Black since I saw Lethal Weapon. When we were doing the first Iron Man, Jon Favreau and I used to call up Shane Black. We had two lifeline calls; one was to J.J. Abrams, which was about the third act of Iron Man. And for the other call, we went to Shane’s house. We couldn’t afford him, so in exchange for helping us with a few key scenes, he asked for a piece of Salmon and fresh blueberries. For instance, in the Iron Man scene where Tony Stark comes back from captivity and calls a press conference, and then asked everybody to sit down, the speech Stark gives all came from Shane Black. So to get him to do Iron Man 3, it has just been this awesome experience and one of my favorite working experiences. Iron Man 3 is going to be a very, very bold genre film, from the storytelling."
  • "Jon Favreau reprises his role as Happy Hogan. Happy has an amazing arc in this movie. In fact, probably the best two bits of acting in the movie, so far from what I can tell...which sucks because I’m in every frame, are Favreau as Happy Hogan...I can’t give away much, but it’s ridiculous. And also Sir Ben Kingsley. Kingsley is amazing. And a lot of that had to do with the way that Shane crafted the role for Sir Ben. I think that people are gonna be not totally surprised, but they’re gonna be just reinvested in what a brilliant actor Kinglsey is."
  • "Shane Black really knows the superhero genre, but I think the main thing, that’s great about him, is that he’s always looking at complexities within complexities, and so on. And he always likes it when a film kinda stops for a reason you can’t understand and then kinda picks up and goes in a direction you’ve never imagined. Usually when you have a straight-forward narrative, if at act 1, 2 or 3, ‘There’s Tony, Tony’s in trouble, where’s Pepper, Tony wins,’...By the time we were doing the 2nd one, I was like ‘where’s Pepper.’ Shane is just a genius!"
  • "I’ve always said that while I’m physically able, I want to do all my own stunts in the movies that I make. I want the audience to sit there, thinking, ‘was he really stupid enough to attempt that?’ I actually hurt my ankle in a stunt and filming was shut down for a few days."
  • "I think Shane’s gone for a dark feel in this movie. It’s a lot grittier and goes back to its comic-book roots. It’s shaped into a really special movie - and Shane as been instrument in that."
  • "I always think there's something more terrifying about a villain who's a genius, as opposed to just relying on strength or ability. We all know what a fantastic actor Ben Kingsley is, and he pulls off the evil genius with real terrifying results."
  • "You know, you guys are probably looking for a really cool answer, but I live in Malibu and traffic getting into LA can be crazy. I'd use it just to fly straight into the city for a meeting or dinner."
  • "We’ve just been talking about one sequence – the top-secret name is the Boot/Glove Sequence, I can tell you that, just between you and me – it’s where Tony only has one gauntlet and one boot and he has to escape multiple captors. It’s really fun, dude. We’re taking everything from his first gauntlet test in the first movie up through the most extreme stuff we thought up for Iron Man 2 and The Avengers and pulling on all of it and making this one big, extended challenge of physics."
  • "Since I was just talking about Flight and Don is on my mind, I’ll start with him. Rhodey is much more in the dead center of things. He’s much more dynamic. We’ve made this decision that while Tony is a technical guy, he’s not really a trained guy. There’s a lot of fun to be had with Don because he’s really good with hardware and he’s a martial artist, so it’s been really fun exploiting this possibility of Tony having moments like the one in Avengers, like the one with Cap where he decides, “Oh screw it, he probably knows what he’s doing.” So there’s a lot of that and a lot more fun and a lot more depth to Rhodey this time around."
  • "The whole Avengers thing was such a relief & such a confirmation of Kevin Feige’s vision for this all along. As Kevin has put it, the next step after that is to bring in someone like Shane Black & – without pretending that Avengers don’t exist – find a way to go back to a kind of re-investigation of Tony’s world, which he thought would be, one, fun for the audience &, two, would rock in a different way than The Avengers. But we can’t help it; everywhere you look now in every Marvel movie there are opportunities where certain new pals of his could be useful. So they’re in the atmosphere, so to speak, but I wouldn’t expect to see them on the ground in this one."
  • "The nice thing about Marvel’s kind of unprecedented success is they are already able to do what Warners had done along, which is avoid that approach of beginning [a project by picking a release] date and working backwards from there. And by avoiding that you get a schedule where there’s more space. And, also, the smart money always says, Let’s wait a little longer and do a little better. When I first thought of what my world would be like if every other year I had to put out a product for more than one franchise, the thought was: Well how will I ever get to do anything else? But neither seems to be hurrying toward their deaths and still there’s space that allows the rest."
  • "Sir Ben is probably going to steal the movie. There are a lot of contenders who may, but right now he’s probably at the top of that list. He came in as, obviously – speaking of training – as such a technically proficient instrument. And then what proceeded to happen was the release of more vintage, old-school Favreau [improv] stuff with a Shane Black twist on it. It was kind of frightening to witness, I’ll tell you that much."
  • "We hadn’t worked together so we shared only Lord Attenborough, and yeah, of course, there was a connection. We took some pictures together to send Dickie, which must be the strangest visual for him to see — the two of us playing the bad guy and the good guy. We shot them out in front of a mansion in Miami, it was a magical place, actually. Vizcaya was an interesting place, very cool. And it was an interesting time. As you know, I busted my ankle in August and we shut down for a little while, and it ended up being great for us. It was the first time in my personal history we got the creative luxury of being able to stop about two-thirds of the way through and really recalibrate everything and prepare for all of the hurdles ahead. And the mainstay of the Ben/Mandarin was kind of up next and straight away throughout, and then lots of Rhodey stuff and lots of fight stuff."
  • "Truth be told, we did shoot in China for about a week in December after finishing principal photography. There will be some action there in the film. My main interplay through the whole thing was that China figures in as a destination spot for Tony for a reason but I can’t explain [more because it would reveal] one of the ongoing themes of the movie. It’s tied-in to that theme in much the same way the 10 rings are tied-in to Mandarin — and always have been tied-in to the Mandarin. Let’s just say Tony has a lot of karma in the east and therefore I’ve been meeting our new Chinese partners and one of their actors — kind of the Gene Hackman of China — can and worked with us, which was a thrill and a pleasure, and I will be figuring in a visit to the Beijing Film Festival in our promotional tour. You know, often as business partnerships start up and form it takes time. It hasn’t really hit a critical mass, but it’s there, it’s real and it’s happening. But I suspect the real fruits of it are down the road a little bit."
  • "The first six months of pre-pre-production when you get hired to a Marvel movie is like taking a four-year college course in humility. The strongest ones survive and they move into prep and then they shoot the movie and they still look like a human being. The great thing about Shane is the same thing that’s great about Shane’s movie is that all the moving parts within the frame of his story are so poetic and inherently entertaining and then thought out and rethought out. And then everyone all the way through really put their nose to the grindstone this time and I really felt like we were in a much safer playground than we were with Iron Man 2 just because it was Shane’s vision. And he had a lot, lot, lot of time to figure out just one thing, which was to figure what the story would be. Jon and I were still kind of recovering from our lives changing so much with the success of the first Iron Man and then next thing we were back in the saddle again. We made do."
  • "There's a little bit of soul reclamation going on. I feel that the first time I played Tony, I did it best. Sorry! The affinity with Tony now is: how do you sustain something? I'm not stupid, I like to play ball, I love the company, I love the character, and the business side of things, I'm not to picky about that either."
  • "Tony's going to carry on. Avengers 2 already has a release date!"
  • "[about creating a never-ending series like 007's] It would probably be the best thing in the world for me. You know, ego...but sometimes ego just has to be smashed. Let's see what happens. I take the audience very seriously - I feel bad when I see folks doing movies and the audience is like, 'Don't do that anymore.' I don't have to overstay my welcome..."
  • "I think Iron Man wound up being the first time I screen-tested since Chaplin. As far as I was concerned, it was destiny. Now, I can't tell you how many people are sitting around with the cold, hard evidence that it wasn't. I just wasn't going to let lack of perseverance, lack of preparation, or lack of prayer get in the way. I just went crazy — in a good way. And suddenly it occurred to me, Oh my God, Stan Lee might not know this, but everything he created has all been leading to this moment. It's me. Then I thought, Hold on a second, dude, is this just some sort of neurotic personality meltdown happening here? And then I thought, Nah, that feels different."
  • "When you do the HUD work, usually it's kind of the last thing in the schedule. And you're going back and essentially leaving the movie again in close-up, tired."
  • "I don't like, [as himself] 'All right. What's happening now?' [as the director] 'Oh, the most important woman in your life is falling off crane into a fiery pit. Okay? So, let's just rehearse once and then we'll do it about 10 or 12 times until the camera is right and you've given enough.' They're just screaming direction at you... I like the scenes. I like the action."
  • "The costume is lighter; it's more flexible... There is no comfortable version of it, so it's kind of like, 'Hey, don't you think these bamboo chutes are actually a little less rough on the cuticle until they get down to the nerve?"
  • "Some of you might know him from all the great movies he's written like Kiss Kiss, Bang Bang a film we did together. He was a great choice for reinvigorating the franchise. He's a very particular point of viewed, he's very offbeat, he's very smart and clever. It's hard to keep these movies fresh. I think we're going to be really pleased with what Shane did with the movie."
  • "What Jon Favreau said when the first Iron Man was successful - he said it's because Tony has a relationship and it's a relationship that even though it's a genre movie, you can kind of relate to it, it had some depth. Over the course of the movies, obviously, they haven't broken up, they're getting closer and closer so as the relationship gets deeper so do the issues and the challenges."
  • "Well, I would say Pepper is his greatest strength because he's able to understand that she knows him better than he knows himself and of course weakness, for any character in a film or person is always their own ego. It always has you make decisions that are advisable, not to make. And as usual, Tony decides to take things into his own hands a little bit but he's more mature in this film. He still doesn't know what to get his girlfriend for Christmas but he wants to know."
  • "I think there's nothing stupider than when kind-of talented people show up and talk about a genre movie like it's some sort of important work. We know that these are popular entertainment but we think about them in considerate ways, I remember talking about Pepper when we were doing The Avengers, I said, "I need Pepper in there" and then I tried to explain the plot of The Avengers to Gwyneth and she was like, "Just stop, I'll never understand this." Because it went so far away, as it was supposed to, from Jon Favreau's original vision that the Iron Man movies are based in a reality that seems tangible. You know, you could build this suit, these kinds of things could happen and we didn't want to jump the shark with Avengers but I remember I also thought in some development meeting, "If the sky opened up and there was a wormhole and I saw aliens, wouldn't I be just a little bit nervous, after that." And that sort of led to some of the challenges."
  • "It's crazy, were pretty intertwined, we hang out. Some people, they're only close when they're in front of cameras or they're talking about how close they are even though they never hang out together. We make a point of spending time together."
  • "It got me thinking about how big the message from your cosmic sponsor needs to be before you pick it up. How many genre movies can I do? How many follow-ups to a successful follow-up are actually fun? I come from a family of very innovative writers and directors and actors and artists, and the circle of friends they were in were the people I heard having pun-offs playing poker at two in the morning, and it was just the most comforting aspect of my childhood. So there's this kind of legacy of souls from what I consider to be a very particular time in entertainment, and I'm sensing a return to that. I don't know. I don't know. Right now I don't have a contract to do anything, and I did for the last five years."
  • "It’s down to Kevin Feige and Ike Perlmutter and Disney to come to us with what the proposal is, and that’s on us to agree or disagree. When things are going great, there’s a lot of agreement. It’s that thing of: why give up the belt when it feels like you can barely get jabbed? Most people are saying that right when they get knocked out."
  • "I’ve gone from being convinced that I am the sole integer in the approbation of a phenomenon to realizing that I was the lead in the first of a series of movies that created a chain reaction that, if everything didn’t fire the way it was supposed to, there’s no operator, no anything. And you go, O.K., life is doing something here that included me but did not require me. But, yes, that role means a lot. Marvel is kind of like this sacred brotherhood."
  • "There was a Rubik’s Cube to how not to make these things have an Act Three, that you’re just going “I really hope you like Acts One and Two because now we’re just gonna do all this stuff!” And to me and I think it was the same thing in Iron Man 3, Act Three was the strongest act. And I think that this is really gunning for that sort of thing because, you know, I love movies. I love these kinds of movies. And so I feel like I’m just a very tolerant kind of consumer with these things but I also feel like the half-life of – if you noticed just how flooded the market is becoming and likely to become potentially even more so I think that there has to be a bit of a transcendence of formula, you know? And so without giving too much away, I think, and why I generally just kinda like stamped it when the first draft came in is ’cause I thought, “Oh wow, it didn’t fall into that trap.” And I read the last page and I got chills for a reason I definitely can’t explain. [LAUGHTER] But there’s a lot of new talent coming in with Aaron Taylor-Johnson and obviously, Lizzie Olsen. And just even seeing Paul Bettany within a thousand miles [LAUGHTER] of the set where we’re shooting is just like “Wow, this is gonna be really cool.”"
  • "They said to me, 'If we have you, we can do this, or Cap 3 has to be something else. It's nice to feel needed. And at this point it's about helping each other, too. I look at it as a competition and I go, 'Wow, maybe if these two franchises teamed up and I can take even a lesser position, with people I like and directors I respect, maybe we can keep things bumping along.' "
  • "It's natural to change your views. The main thing to me is, what sort of incident could occur, and what sort of framework could we find Tony in? The clues about where we might find him next are in Ultron. But what would it take for Tony to completely turn around everything he's stood for? Joss brings this up all the time. It's kind of weird that these guys would have all these throw downs all over planet Earth and yet when the movie's over, nobody minds. What would the American government do if this were real? Wouldn't it be interesting to see Tony doing something you wouldn't imagine?"
  • "I wouldn't put it that way. The biggest question is, for Chris and for Cap, how do we bring Cap to a place where people go, 'Man, I never thought I would see such a vast change in Steve.' After you see Snowpiercer, you're like, 'I want to see a little bit of that guy'."
  • "Favreau was visiting the set and went, ‘JARVIS, what did they [frick]in’ do to you?’ I would maybe see Bettany on the street or at a premiere party, maybe. And the suit? Everybody has to pay their pound of flesh. I remember on Iron Man 2 when Cheadle came out in the Mark II, it’s the least comfortable suit, by their own admission, designed for any movie and he came out and stopped the party. I looked at him and it was right before lunch and he’d been in it for three hours. I thought, ‘Poor Don’, but you gotta do it. And for Bettany, they did a number on him with this absolutely awesome Ultron look, and it also reminded me of the times when I’ve been in special effects make-up. The very first thing he had to do was perch on the end of a precipitous ledge and stand up at the right time with the wind blowing and look right down the barrel, and 20 other things were happening, and it was like, ‘Yep, welcome’. But when - and I won’t give much of anything away - Vision gets to express and enter and find his place in earnest respect on the playing field, it was like an exceptionally well-executed, poetic, badass, “Aha!” moment for all of us. Joss was very particular about that in a different way than he was with Jimmy. I think people are going to get a kick out of the creative decisions about how Vision fits in."
  • "It’s funny, nobody really ever goes away entirely from the Marvel universe. I’m sure whatever’s going on in ten years, whether I’m receiving a red cent or whether anyone still associates me with the product, there’s still always going to be a level as long as anybody from the original team is there, where you’re connected. More than I would miss him, I would be remiss to say that these are such Herculean gigs, so it’s important for Joss to take all the leverage he’s earned and to apply it to something else. Ultimately he’s a creator, and I think what he did is he’s very aptly taken pre-existing material and spun it into something that feels like a creation."
  • "I’m crazy about Evans. I really am. I don’t know why or how to explain this particular kinship we have. By the way, he hasn’t called me in six months. Honestly, in order for this whole thing to have worked, I did my part, Hemsworth knocked it out of the stadium and then it fell on Cap. That was the riskiest. It was the one that had the highest degree of difficulty in making it translate to a modern audience. It was the Russos and Chris who, I think, really hit the line drive and won the series. I remember glancing through it going, “Wow, that’s a different way to go”. They said, “If we have you, we can do this or Cap 3 has to be something else”. It’s nice to feel needed."
  • "At this point it ceases about being about announcements of contracts and deal points and Forbes and all that. And to see Chadwick being announced for Black Panther, I go, ‘Wow, man, Marvel is making all the right moves and they’re not doing it because it’s PC, they’re doing it because it’s exciting’. So why would I be the one to go, ‘I’m not going on the road. I don’t get along with the keyboardist’. Who cares? Who cares? And look, I also recognise that I’ll be turning 50 by the time I promote this movie. The clock is ticking down on the amount of memories and participation that I would allow myself and not embarrass the medium with. And when they pitched it to me and when I had a couple of ideas and when they said we like those ideas, let’s do those. Then there’s all this competition too. I don’t do this because I look at it as a competition, but I look at the marketplace and go, ‘Maybe if these two franchises teamed up and I can take even a lesser position in support, with people I like and directors I respect, maybe we can keep things bumping along here a little longer than they might have’."
  • "Again, it’s natural to change your views. The main thing to me is, and this is where I think the Russos are quite brilliant and where Kevin backed the play, is what sort of incident could occur and what sort of framework could we find Tony in? The clues are in Ultron about where we might find him next. But what would it take for Tony to completely turn around everything he’s stood for, quote-unquote, because he was the right-wing guy who could still do his own thing. When the first Iron Man came out the liberals and conservatives were both like, ‘You’re our guy’. Yes! Score! But the idea of Tony being able to march into Washington and say, ‘I’ll sign up’, wouldn’t have made sense if the political climate in the real world hadn’t shifted the way it has. It’s a little bit of things following a real world continuum in, ‘What would you do?’ There’s always the bigger overarching question, that Joss brings up all the time - it’s kind of weird that these guys would have all these throw downs all over planet Earth and it looked like a little collateral damage happened over there, and yet when the movie’s over, it’s like nobody minds. You have to figure, ‘Were you to ask the question, what would the American government do if this were real? Wouldn’t it be interesting to see Tony doing something you wouldn’t imagine?’ "
  • "I wouldn’t put it that way. Ultimately it’s Steve’s story; it doesn’t say Iron Man 4: Civil War. I think that’s great too. I think Chris has been hungry to bring even more of an underside and some shadow to that. I remember the comics - on the surface you got the sense that Cap was baseball and apple pie, but underneath there was all this churning stuff of being a man out of time. Now we know he’s made his peace with that. What’s the bigger issue? It can have a little something to do with the past, but it can be about someone becoming more modernised in their own conflict."
  • "With the first film, The Avengers, Tony was becoming a team player and with Iron Man 3, it was him transcending his dependency on the tech that's keeping him alive. There's the matter of a certain wormhole that opened over New York and the imminent threat that still implies, so Tony has turned his attentions more toward a bit of a post-Reagan-era, Star-Wars-type notion and he likes to call it Ultron."
  • "There are really only two relationships in Tony's life in which he's been willing to assume a lower status and one's with Pepper obviously, equal footing, and the other is with Cap. Cap has the most experience. It's also nice to feel like there's someone under whose tutelage you become better at what you have to do and no one's more battle-seasoned than Cap."
  • "To me it's further developing the complexities of the relationship between all the main folks. I like that Thor has a beef with me and then eventually has to say I'm right. It's just interesting and the way it all wraps up to me is super exciting but strangely my favorite part about Avengers: Age of Ultron is what's brought into potential at the end."
  • "Hawkeye's arc and his importance in the movie and where he brings us and what happens there and what it means."
  • "Honestly, this time I just hope people say "Wow." I hope that they feel as good about this as they did when they came and saw the third Iron Man, or as they did when they saw the most recent Captain America and Thor."
  • "Joss Whedon really brought it to another level by writing a very fun, deeper and wider story. He's just really smart and he thinks stuff through."
  • "The funny thing is, it all feeds back into itself because now it's got me thinking that that would be something that Stark Industries would actually be diverting funds to and all that."
  • "It’s going to make it even harder for them to come to an agreement, which I’m really excited about."
  • "I’m really stoked to see when we have more stuff to actually do together besides like act like we’re about to have a fight one day."
  • "Well, it’s called Civil War, and there was a strain of comics where Captain America and Iron Man, they went on different sides, and they fought each other. I wouldn't call either of them evil. I'm gonna go start shooting that in a couple weeks."
  • "He may well be... Yeah, I hear that they’re looking to cast a new Spider-Man."
  • "The name Civil War implies there are sides"
  • "Cheadle and I are just going, 'Wow, dude, look at this. We’re now like the old guard, and our storyline carries real weight just because of our history in the [canon]'. But we’re also looking around like, ‘Who thought that Falcon and Black Panther and Ant-Man and now Spider-Man…?’ I mean it’s like wow, this thing is just crazy."
  • "You never know with Marvel. Sometimes they shoot things and then don’t use them."
  • "It just hit me yesterday, now that we’re six weeks in, that they were actually over his shoulder coming out of the elevator, not over my shoulder watching him come out of the elevator. I was like, oh, that’s right, it’s his point of view."
  • "No, I mean, look, if he and I are gonna beat each other senseless, that should be an Act III thing."
  • "It didn’t bother me at all. I’ve always thought of it in some ways that Tony is the antagonist to himself in his own story, so this isn’t a problem. This guy understands problems ‘cause he is a problem. And he tends to create problems. I’m not having to patter around what I think the worldview is. I wholeheartedly agree with what he does in this. Which is, by the way, more than I could say for some of the other movies."
  • "People are much less capable of processing things than they think and we’re kind of simple and dumb. And for a guy who is fast, he’s definitely on the verge of practically getting over himself. I almost feel like sometimes he’s some old man who goes back to the neighborhood and goes, ‘Kids, it doesn’t have to be like this.’"
  • ""Here’s why I love the Russos: that was not in the script. And I said, ‘What if I had this watch that kind of turned into a glove?’ They humored me for a couple of weeks, but I kept bringing it up. Eventually they had someone measure me for the hand-glove."

Trivia

Robert Downey Jr is the third actor to win the Saturn Award for Best Actor. The other two were Tobey Maguire and Hugh Jackman.

References


External links

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